DIRECTING

DIRECTING

DIRECTING

DIRECTING

DIRECTING

In Cuba

One major global event happened while I was there and I could follow in a very behind the scenes way.  A mother took a boat and went in the direction of Florida.  She ended up dying on the way and the boy was rescued by the Coast Guard. This was made into an international crisis, with the Cuban Americans wanting to keep the kid, and the Cubans themselves wanting him back to his father.

I was shooting kids playing in a soccer field across from the American “embassy” when I noticed a CNN correspondent trying desperatetly to have a sattelite link, so he could feed the embryo of the huge demonstrations (which I followed). There was 2 ladies showing a  protest poster. Soon, that began a many month rally, with hundreds of thousands of people.

I followed the event in many points of view. I jumped on propaganda trucks that were giving away demonstration flags, which people avidly took, either to demonstrate, or to use as timber.

I met high school students who were more concerned with the music shows, their brand new purses  and the flirting. I met  the drivers of the thousands of buses who took kids for the rally. While kids were demonstrating wtih their teachers they were drinking bath tub made rum.

The 10 part series  “In Cuba” had a very different goal.

I wanted to see how Cubans live, beyond the limitations of mainstream media reporting.

I had a camera, a sound equipment, I spoke Spanish and was eager to go around, meeting people and following leads to great stories.

I was there for a first visit and started shooting stories with people I met in the streets, in the factories, in their houses and so forth. I had decided to visit every single neighborhood in Havana so I could get a good sense of that society.

Two days before my scheduled return, I was invited to edit an American documentary about Fidel and ended up staying longer. It was then soon time to the Havana Film festival. There, representatives from the Film School invited me to be thesis advisor there. So I returned 6 months later to teach at Escuela Interncional de Cine y TV and also shot more stories, this time mostly in the rural area where the school was located.

In these 2 trips, which resulted in 65 hours of dailies, I met a wide span of people who shared many perspectives. From old, hard liner, regime backing ladies wanting me to go to jail because I wasn’t supposed to be filming reality, to rebel artists who felt lonely because “all my friends either flew or ‘were dissapeared’ ”. My interest was on people, on how different people live their different  lives, in Cuba.

So I met, talked and put together stories on kids, bean farmers, propaganda poster factory workers, crowds of tourists, self defined “typical Cubans”,  gas station workers who had Schwarzenneger as an idol, “because he is very kind”,  an ex mafia driver now turned into old car afficcionado, a group of compulsive novel readers,  etc… The “in Cuba” series is made of these encounters with great people, who share their unique perspectives on life.

Surviving in Silence (EC.01)

Artist in Cuba (EC.02)

The Simple Things in Life (EC.03)

The War of the Words (EC.04)

Sex, Love and other Irrelevant Things (EC.05)

A 35 minute sequence shot in Havana, Cuba. (EC.06)

Cuban Consumer Culture – (EC 07)

Welcome to Havana (EC.08)

Being Young in Havana (EC.09)

Human (EC.10)

CLIPPING

O Globo Online

SEP 02, 2007

ARTUR XEXÉO

 

Folha de S. Paulo

AUG 12, 2007

meio&mensagem

AUG 13, 2017

O Globo Online

AUG 13, 2007

JB ONLINE

AUG 12, 2007

JOSÉ PADILHA

Film Director

 

"I’ve know Felipe for over 20 years. He’s a faithful long time collaborator.
Very few people in the industry are able to conduct the storytelling the way Felipe does. I had the privilege of working with him in many projects and profited a lot from his keen and sharp eye and his extreme sensibility for emotions. The documentaries we worked on have been widely recognized and took part in festivals like Tribeca, Sundance, CPH:DOX, Havana, Rotterdam and many others..."

CARLOS SALDANHA

Director of Ferdinand, Rio and The Ice Age

 

"I had the pleasure of working with Felipe in the short film Pas-de-Deux, a segment of Rio, I Love You, that I directed. He got me very well recommended by weight names in the Brazilian market and did a beautiful job. Felipe understood my vision and execution with great sensitivity and mastery. I'm sure that anyone who has had the good fortune to have Felipe on board, as editor or consultant, will see his film to its full potential."

WALTER SALLES

Academy Award Nominee,Golden Globe and Berlin's Golden Bear Winner,
Director of "Central Station", "Motorcycle Diaries"and "On The Road"

 

"I had the pleasure of collaborating with Felipe in several other projects (musical documentaries, fiction projects). I have great admiration for your ability to think a movie, and to re-imagine it from the footage. In the same way, the always original options he proposes for the narrative always surprise me positively. He is a highly committed contributor who helps to empower the projects with which he is involved."

Works remotely or in-house, anywhere in the world.

info@felipelacerda.com